The local area of the bathroom mural is echoed in the interior design
Original sand and shells mural has damp damage to one wall corner at right of window blind: drip lines are seen behind paint.
Damage to stencil shells meant complete renovation.
Marking out basic sand lines with brush, using photos of original painting: colour dried darker than intended so was ‘knocked back’ with more sponged layers
The finished effect I used several applications of lighter and darker coloured cream and beige applied with a real reef sponge, for natural effect. Sections ‘mark out’ lines were painted out completely.
Similar ideas with beach tide mark designs and shells can be commissioned at firstname.lastname@example.org
I never repeat a mural, but have many beach photos to use as references and with many shell designs.
From pink wild roses – to red rose hips – to red syrup Collect rose hips and remove any stems. They could be chopped but I did not: the hips soon disintegrate on heating. Put two litres of water in a large pan and bring to the boil. Throw in the chopped rose hips, bring […]
Shutters need preparing, to remove ingrained dirt after first cleaning, and sanding where paint has become loose, due to heat and damp damage in the South of France. Hand sanding commenced on some shutters, revealing previous colours.
The balcony bedroom shutters are the largest, and heaviest, accessed in situ from a chair.
I had previously painted them pale grey over dark green, now any thicker painted areas are removed, during sanding, for a smoother surface.
Black hinges were previously painted in Hammerite and look good still after 7 years
The hinges of some shutters (painted by others) have a faux distressed wear affect: painted green ‘verdigris’ as undercoat, covered loosely with dark grey, or watered down black. They look effective from a distance and have been left as is.
When metal becomes very tarnished, or even rusty, they can be painted black. Lay cloth around to avoid black splashes on new shutter coats. Unscrewing and removal is recommended before painting, if time allows; but if not, as was the case here, have wet cloth ready to wipe off shutter paint, if the brush marks the black metal.
First Paint Coats
Twelve shutters in all, both sides, two coats = 48 coat sides! Ground floor shutters painted downstairs; bedroom balcony shutters left in situ, reached by standing on a chair; the others painted on the roof terrace.
The streets of old Agde are very narrow with 3 or 4 storey houses, so the views are often shaded from lower windows. Shrubbery grown up walls gives a special interpretation of nature; a must to visit during flowering time in May.
Recycled wooden circles, with geometric acrylic varnished painting decoration.
Pendulum ‘chime’ shells hang on knotted leather cords tied to metal rings on lower edge of wooden circles. Razor shells make a pleasant gentle mid-toned ‘clatter’ when moving.
Paint circles black with emulsion (water based paint).
Paint acrylic colour over, leaving border for another colour.
Paint ‘crackle-glaze’ solution (purchased).
When just about dry (not to dry), paint over gently with a large soft artist’s brush in a contrasting colour. Paint should not be too thick (i.e. not straight out of tubes), but mixed with water to a single cream consistency. Move brush carefully, and in a slightly blobbing like fashion, in circles, to avoid unbalanced marks and encourage circular markings. Water content and drying times, will determine how the crackle layer works.
Note: Crackle-glaze is unpredictable: practice with drying times of the glaze and water content of covering paint mix helps. If it does not crackle well, some sanding will produce a distressed surface, showing paint colour layers through.
Draw geometric designs in dark pencil: paint lines with ‘liner’ brush (a narrow and long brush head, which spreads to required width and holds the line evenly as paint is dragged along one side of pencil line. (no need for two pencil lines)
Spirals can be painted with just one stroke of an artist’s round brush, starting in the centre and sweeping in an ever increasing curve. (practice on paper before if needed)
Coat circles art in at least 3 layers of water based acrylic varnish for protection. It dries in 20 mins, but leave 2 hours between coats. Note: Long lasting oil based polyurethane varnish can be used as a fourth coat for outdoor protection. (16 hours drying time)
Screw metal ‘screw eyes’ into one edge of wooden circle.
Drill holes carefully into top of razor shells.
Lightly sand off any brown seaweed stuck to shells. (they are brittle and can break) Paint could also be rubbed into razor shell grain at this stage to tone in with wood.
Using thin leather cord (available in colours), attach to razor shells to screw eye rings. Metal wind chimes can be included, to nestle in the concave side of the shells, to increase the wind noise: also smaller shells can be tied on at the tops. Note: I found a clearer sound resulted form purely the razor shells alone.
Experiment with shell length and positions for ‘sound making’.
Use thick leather/suede strips to make hanging loops to hang onto trees, or hooks outside.
Circles are cut incrementally from squares; sawing and filing off 4 corner facets.
Paintings on recycled wood! A trip to the city dump finds recyclable backing boards, drawers & door panels from old furniture discards ~ perfect for garden and patio artworks.
This painting was done circa 2000 (on mural off-cut plywood) and kept for my own yard as I enjoyed it so much.
Images for gardens and patio paintings can combine natural and geometric elements to create something akin to a garden ‘poem’. Natural forms have geometry which has always inspired architecture in the past. Geometry patterns in nature can be the focus of design elements, combined with abstracted pattern elements.
To create another painting on the theme, fresh photos of uncurling ferns give renewed inspiration with added elements. The lilac and violet colours contrast fantastically with the lime green ferns, which could become a new colour palette for designs with giant flowers and fern patterns. The tin frog adds an animist element. His rusty colouring with pale turquoise also compliments the ferns with their russet base stems. Rust can therefore become an important colour combining element.
The frog is playing a saxophone, as if the ferns are unfurling to the music. This could become a new picture story theme in a new abstracted ‘musical frog with ferns’ design.
Colour combinations with pattern, are the music of design.
Interestingly all the colours forming the fresh inspiration are already in the old painting which had no other items around it, than the ferns by themselves.